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Dolapdere is a neighborhood in the Beyoğlu district of Istanbul, Turkey. It has changed dramatically in recent years.

 

Introduction to Dolapdere

When I first moved to Istanbul in October 2010, Dolapdere was unsafe and off limits. The neighborhood is almost completely unrecognizable today.

While driving through Dolapdere in October 2018, I was shocked at the changes. Just a short walk downhill from Taksim Square, gentrification has unsurprisingly crept into what was a poverty-stricken area. There has been significant investment by hotels, art galleries, and businesses.


 

Arter

One of the biggest arrivals is Arter, a modern art gallery that moved to a huge facility in Dolapdere in September 2019 from its space on the more visible Istiklal Street. It was founded in 2010 as a subsidiary of the Vehbi Koç Foundation and also presents cultural programs. The building is 18,000 square meters and features exhibition space, performance halls, classrooms, a bookstore, and a library. The collection numbers about 1,500 pieces by around 400 artists from the 1960s to the present.

Arter in Dolapdere, Istanbul, Turkey
Arter

Admission is 350₺ for adults, 200₺ for seniors age 65+, and free for visitors under age 25 (as of July 2025). It’s also free for all visitors on Thursdays. Arter is open daily except Mondays. If you work up an appetite during your visit, there’s a restaurant on-site.

Entrance to Arter
Entrance
Restaurant at Arter
Restaurant
Exhibition space at Arter in Dolapdere, Istanbul, Turkey
Exhibition space

 

Nuri Kuzucan: Passage

One of the exhibitions during my visit was Nuri Kuzucan: Passage, which ran from June 1, 2023, to April 2, 2024. This solo exhibit by Nuri Kuzucan focused on “cognitive and perceptual fluidity and transitivity by featuring works that revolve around dualities such as chaos/order, light/shadow, emptiness/fullness, surface/depth, and interior/exterior”.

Nuri Kuzucan: Passage at Arter in Dolapdere, Istanbul, Turkey
Nuri Kuzucan: Passage
Nuri Kuzucan: Passage
Nuri Kuzucan: Passage
View of Nuri Kuzucan: Passage from above
View of the exhibit from above
Plan II; May 2023; Nuri Kuzucan; 44 honeycomb paper panels, metal rods and white paint, a small amount of adhesive, a few small nails and screws, light, distances, and multiple perspectives at Nuri Kuzucan: Passage at Arter in Dolapdere, Istanbul, Turkey
Plan II; May 2023; Nuri Kuzucan; 44 honeycomb paper panels, metal rods and white paint, a small amount of adhesive, a few small nails and screws, light, distances, and multiple perspectives
Plan II; May 2023; Nuri Kuzucan; 44 honeycomb paper panels, metal rods and white paint, a small amount of adhesive, a few small nails and screws, light, distances, and multiple perspectives at Nuri Kuzucan: Passage at Arter in Dolapdere, Istanbul, Turkey
Plan II

 

Cengiz Çekil: I Am Still Alive

Cengiz Çekil: I Am Still Alive ran from February 9, 2023, to October 22, 2023. It was spread over the 3rd and 4th floor gallery spaces and was the most comprehensive exhibition of works by Cengiz Çekil (1945-2015) to date.

Cengiz Çekil: I Am Still Alive at Arter in Dolapdere, Istanbul, Turkey
Cengiz Çekil: I Am Still Alive
Cengiz Çekil: I Am Still Alive at Arter
Cengiz Çekil: I Am Still Alive

According to the exhibition’s description, Çekil used everyday objects to reflect “on the socio-political circumstances of the period in which he created his body of work, focusing on the effects of modernization, urbanization, globalization, political violence, and consumer culture”. His works “contemplate existential questions about death, energy, time, and faith”. Some of the materials he used include clocks, newspapers, and calendars.

'WHAT TIME IS IT?' Time Machines; 2008; installation with battery-powered wall-clocks in Cengiz Çekil: I Am Still Alive at Arter in Dolapdere, Istanbul, Turkey
‘WHAT TIME IS IT?’ Time Machines; 2008; installation with battery-powered wall-clocks
2011; 2012; calendar pages on canvas in Cengiz Çekil: I Am Still Alive at Arter in Dolapdere, Istanbul, Turkey
2011; 2012; calendar pages on canvas

Çekil is considered one of the pioneering figures of conceptual art in Turkey. He “re-contextualized, serialized and transformed daily objects, familiar phrases, and forms into multi-layered works that provoke the collective imagination and transcend the established definitions and classifications of art”.

Things; 1998; 144 constructions with burned Coca-Cola cans and iron bars in Cengiz Çekil: I Am Still Alive at Arter in Dolapdere, Istanbul, Turkey
Things; 1998; 144 constructions with burned Coca-Cola cans and iron bars
Towards Childhood, Since Childhood, 1974 (2010); Coca-Cola bottle, string, tree branch, light bulb, cable, electric tape, electrical equipment, and electric current in Cengiz Çekil: I Am Still Alive at Arter in Dolapdere, Istanbul, Turkey
Towards Childhood, Since Childhood, 1974 (2010); Coca-Cola bottle, string, tree branch, light bulb, cable, electric tape, electrical equipment, and electric current
Smashed into Pieces; 1998; 288 gilt-painted moldings and white fabric; Leyla Tara Suyabatmaz - Arif Suyabatmaz collection in Cengiz Çekil: I Am Still Alive at Arter
Smashed into Pieces; 1998; 288 gilt-painted moldings and white fabric; Leyla Tara Suyabatmaz – Arif Suyabatmaz collection


 

Sarkis: ENDLESS

Sarkis: ENDLESS displayed the works of Sarkis Zabunyan (b. 1938) from May 4, 2023, to March 3, 2024. It was presented on the 2nd floor with works spanning from the 1980s to 2015. According to the description, the exhibition emphasized “the crucial role played by light, color, and music in his artistic practice”.

Sarkis: ENDLESS at Arter in Dolapdere, Istanbul, Turkey
Sarkis: ENDLESS
Sarkis: ENDLESS at Arter in Dolapdere, Istanbul, Turkey
Sarkis: ENDLESS

While admiring the works, Johann Sebastian Bach’s “Cantata No. 127” and Dmitri Shostakovich’s “Quartet No. 15” played from opposite ends of the gallery. Music composed for his work Respiro, by Jacopo Baboni-Schilingi, was also on a loop. Other works by Ali Kazma and Domenika Kaesdorf were included at Sarkis’ invitation.

Transflammation; 1996-2001; film with color and sound, watercolor, wooden blocks in Sarkis: Endless at Arter
Transflammation; 1996-2001; film with color and sound, watercolor, wooden blocks
Wheelchair with Bird Feathers; 2023 in Sarkis: ENDLESS at Arter in Dolapdere, Istanbul, Turkey
Wheelchair with Bird Feathers; 2023

 

In Its Own Shadow

In Its Own Shadow ran from October 19, 2023, to April 14, 2024, and included pieces from the Arter collection. Works by 25 artists were displayed at the entrance and basement galleries.

In Its Own Shadow at Arter
In Its Own Shadow
In Its Own Shadow at Arter
In Its Own Shadow

The concept of the exhibition was to seek out gray areas arising from the thematic dualities of subjects such as inside and outside, public and private, presence and absence, memory and oblivion, and void and body.

Missing I, II, III; 2013; Šejla Kamerić; wood, fabric, golden thread, needles at In Its Own Shadow at Arter in Dolapdere, Istanbul, Turkey
Missing I, II, III; 2013; Šejla Kamerić; wood, fabric, golden thread, needles
Rib Cage; 1993; Terry Fox (1943-2008); paper, cardboard, cable, pencil (left); and Impunities London Originals; 2012; Nadia Kaabi-Linke; black powder on transparent film, paper (right) at In Its Own Shadow at Arter
Rib Cage; 1993; Terry Fox (1943-2008); paper, cardboard, cable, pencil (left); and Impunities London Originals; 2012; Nadia Kaabi-Linke; black powder on transparent film, paper (right)
State of Being (Chair); 2012; Chiharu Shiota; chair, metal, black threads at In Its Own Shadow at Arter
State of Being (Chair); 2012; Chiharu Shiota; chair, metal, black threads

The works were often created using “ordinary, everyday materials” and “favor shadow over light, the unknown over the obvious, and the fragment over the whole”. According to the description, the “works in the exhibition lead us into a misty field of perception for the pursuit of new meanings”.

Dreams (left) and Elit (right); 1999; Hüseyin Bahri Alptekin (1957-2007); print on dibond at In Its Own Shadow at Arter in Dolapdere, Istanbul, Turkey
Dreams (left) and Elit (right); 1999; Hüseyin Bahri Alptekin (1957-2007); print on dibond
Untitled (Uprooted Self-Portrait); 2017; Yaşam Şaşmazer; walnut wood root, moss, metal plinth at In Its Own Shadow at Arter in Dolapdere, Istanbul, Turkey
Untitled (Uprooted Self-Portrait); 2017; Yaşam Şaşmazer; walnut wood root, moss, metal plinth
Cut Glass, 2011; 2023; Deniz Gül; riva decor at In Its Own Shadow at Arter in Dolapdere, Istanbul, Turkey
Cut Glass, 2011; 2023; Deniz Gül; riva decor


 

Dolapdere Flea Market

My memories of Dolapdere are all from the flea market. The neighborhood has a high concentration of Roma, who get together to sell a mishmash of items on Sundays. The best way to get there is to walk down Dolapdere Taksim Street or Elmadağ Street and cross Irmak Avenue.

Flea market in Dolapdere, Istanbul, Turkey
Flea market

I visited this open-air bazaar with Tyra, Selen, and Canan, and it was very entertaining. First of all, the people were extremely friendly and had a good sense of humor.

Flea market in Dolapdere, Istanbul, Turkey
Flea market

Second, the variety of goods on sale was absolutely ridiculous. There were antiques that could have fetched a good price at a proper antique shop as well as head-scratchers like half-empty tubes of toothpaste and used AA batteries. We saw the ugliest clothing imaginable along with electronics that are beyond obsolete today.

An ugly dress and other junk at the flea market in Dolapdere, Istanbul, Turkey
An ugly dress and other junk

To make things even more interesting, rumor has it that many goods are stolen from homes around Istanbul and resold in the flea market!

Random items for sale at the flea market
Random items for sale

 

Panagia Evangelistria Greek Orthodox Church

The flea market takes place on the streets surrounding the Panagia Evangelistria Greek Orthodox Church (Εὐαγγελιστρίας τῶν Προπόδων / Panayia Evangelistria Rum Ortodoks Kilisesi). The building was constructed between 1877 and 1893 and designed by Ottoman Greek architect Petrakis D. Mimaridis. It stands on the site of an older wooden church dating back to 1857.

Panagia Evangelistria Greek Orthodox Church in Dolapdere, Istanbul, Turkey
Panagia Evangelistria Greek Orthodox Church
Panagia Evangelistria Greek Orthodox Church
Panagia Evangelistria Greek Orthodox Church

 

Adam Mickiewicz Museum

Finally, on the southwest corner of Dolapdere at the border with Tarlabaşı, you’ll find the Adam Mickiewicz Museum (Adam Mickiewicz Müzesi). This house on Tatlı Badem Street is dedicated to the life of Polish poet Adam Mickiewicz (1798-1855). The museum is open daily and admission is free (as of July 2025). Information is presented in Turkish, English, and Polish.

Adam Mickiewicz Museum in Dolapdere, Istanbul, Turkey
Adam Mickiewicz Museum
Plaque on the Adam Mickiewicz Museum in Dolapdere, Istanbul, Turkey
Plaque

Mickiewicz moved to the house in September 1855 to help organize Polish forces under the command of the Ottoman Army. He befriended and worked with Michał Czajkowski (1804-1886), also known as Sadık Paşa, who was in charge of the Polish forces. Mickiewicz died a few months later on November 26, probably of cholera. His body was kept in a crypt in the basement for one month before being transported to Montmorency, France. It was repatriated to Krakow, Poland, in 1890, where he was buried at the Wawel Cathedral.

Crypt at the Adam Mickiewicz Museum in Dolapdere, Istanbul, Turkey
Crypt

The house was renovated after a fire in 1870. It opened as a museum in 1955 with the help of the Museum of Literature in Warsaw. On the ground floor you’ll find a timeline of Mickiewicz’s life as well as a few artifacts. Upstairs is a painting of Mickiewicz and more information.

Ground floor of the Adam Mickiewicz Museum
Ground floor
Timeline of Mickiewicz's life at the Adam Mickiewicz Museum
Timeline of Mickiewicz’s life
Weapons and equipment at the Adam Mickiewicz Museum
Weapons and equipment
Reconstruction of the Polish saddle from the period of the Grand Duchy of Warsaw at the Adam Mickiewicz Museum in Dolapdere, Istanbul, Turkey
Reconstruction of the Polish saddle from the period of the Grand Duchy of Warsaw
Upper floor of the Adam Mickiewicz Museum
Upper floor


 

Where to Eat in Dolapdere

Dolapdere isn’t exactly on the radar as far as the Istanbul culinary scene, but there’s one place worth checking out.

 

Ozzie’s Kokoreç

Ozzie’s Kokoreç serves up the best kokoreç in the city (roasted lamb or goat intestines). It came highly recommended by my friend Deniz and didn’t disappoint. It’s a good idea to make reservations before visiting. (Note: All photos below are from the old location in Asmalı Mescit.)

Former location of Ozzie's Kokoreç in Asmalı Mescit, Beyoğlu, Istanbul, Turkey
Former location of Ozzie’s Kokoreç

Marisol had a portion of kokoreç and I had a sandwich. We also shared a plate of sucuk. The kokoreç was incredible and the sucuk was delicious as well. Prices are higher than what you’d pay at your run-of-the-mill kokoreç place, but it’s well worth it.

Portion of kokoreç at Ozzie's Kokoreç in Dolapdere, Istanbul, Turkey
Portion of kokoreç
Kokoreç sandwich at Ozzie's Kokoreç in Dolapdere, Istanbul, Turkey
Kokoreç sandwich
Sucuk at Ozzie's Kokoreç
Sucuk

 

Map of Dolapdere

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Owner of Paisadventure. World traveler. Purdue Boilermaker. Chicago sports lover. Living in Colombia.

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