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The Salvador Dalí Museum in St. Petersburg, Florida, is home to the largest collection of the artist’s works outside of Europe. It’s a wonderful place to spend a couple hours if you’re in town.

Salvador Dalí Museum in St. Petersburg, Florida
Salvador Dalí Museum

 

History of the Museum

The museum traces its roots back to Cleveland, Ohio, where Reynolds and Eleanor Morse met Salvador Dalí in 1942 and struck up a lifelong friendship. The couple purchased their first painting from the Catalan artist and over the next 25 years collected more than 200 pieces.

The Morses opened a museum in March 1971 in Beachwood, Ohio. In 1982, they chose downtown St. Petersburg as the new location for the museum, which was housed in a refurbished marine warehouse.

 

Salvador Dalí Museum

The current building, designed by Yann Weymouth, opened on January 11, 2011. It features a 75 foot tall glass entryway around a spiral staircase and is hurricane-proof. Cafe Gala, named for Dalí’s wife, serves Spanish food, and there’s a large gift shop as well.

Salvador Dalí Museum in St. Petersburg, Florida
Salvador Dalí Museum
Atrium of the Salvador Dalí Museum in St. Petersburg, Florida
Atrium
Cafe Gala
Cafe Gala

Adult admission to the Salvador Dalí Museum is US$24 and includes a free audio guide. It’s open daily from 10am to 5:30pm with extended hours to 8pm on Thursdays. Parking is US$10.

 

Permanent Collection

The galleries displaying the permanent collection are organized in mostly chronological order from Dalí’s early works to many from later in his life. There are 96 oil paintings as well as over 100 watercolors and drawings. Other types of works total over 1,300. Seven of his 18 masterworks are on display, the most of any museum in the world.

Permanent collection at the Salvador Dalí Museum in St. Petersburg, Florida
Permanent collection
Daddy Longlegs of the Evening - Hope! (1940)
Daddy Longlegs of the Evening – Hope! (1940)
Gala Contemplating the Mediterranean Sea which at Twenty Meters Becomes the Portrait of Abraham Lincoln-Homage to Rothko (Second Version) (1976) at the Salvador Dalí Museum in St. Petersburg, Florida
Gala Contemplating the Mediterranean Sea which at Twenty Meters Becomes the Portrait of Abraham Lincoln-Homage to Rothko (Second Version) (1976)

We opted not to use the audio guide and went through the galleries just to admire the work. We also were able to enjoy a 3D virtual reality experience called Dreams of Dalí, which explores his painting Archaeological Reminiscence of Millet’s “Angelus”.

Telephone in a Dish with Three Grilled Sardines at the End of September (1939) at the Salvador Dalí Museum in St. Petersburg, Florida
Telephone in a Dish with Three Grilled Sardines at the End of September (1939)
Slave Market with the Disappearing Bust of Voltaire (1940) at the Salvador Dalí Museum in St. Petersburg, Florida
Slave Market with the Disappearing Bust of Voltaire (1940)
The Disintegration of the Persistence of Memory (1952-54) at the Salvador Dalí Museum in St. Petersburg, Florida
The Disintegration of the Persistence of Memory (1952-54)

 

Temporary Exhibit

A temporary exhibit, Dalí & Schiaparelli, displayed works by fashion designer Elsa Schiaparelli that were inspired by Dalí. Other than some interesting dresses, there were a few famous sculptures by Salvador Dalí on exhibit.

Dalí & Schiaparelli exhibition
Dalí & Schiaparelli
Dresses by Elsa Schiaparelli at the Salvador Dalí Museum in St. Petersburg, Florida
Dresses by Elsa Schiaparelli
Aphrodisiac Telephone (1938) at the Salvador Dalí Museum in St. Petersburg, Florida
Aphrodisiac Telephone (1938)
Venus de Milo with Drawers (and PomPoms) (1964) at the Salvador Dalí Museum in St. Petersburg, Florida
Venus de Milo with Drawers (and PomPoms) (1964)

 

Garden

Finally, a garden outside the back of the museum features a sculpture of the artist’s signature mustache, a bench with a melting clock, and other interesting elements.

Garden
Garden
Bench in the Garden
Bench
Garden
Garden

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Owner of Paisadventure. World traveler. Chicago sports lover. Living in Colombia.

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